It’s that time of year again. In keeping with a three-year-old tradition, I present for your delectation and discussion my top 20 albums of the year. The main difference this year being that, thanks to the wonders of Spotify, you can now debate and dispute my choices at the click of a button. Anyway, this year’s list is topped by:
Worthy of their place at the top this year if only for the fact that their keyboard player resembles the bastard lovechild of 70s soul legend Lionel Richie and Pedro from Napoleon Dynamite. Their second record sees the Georgia quintet mature into a potent force of emotional rock, blending the best bits of Brand New and Weezer into an irresistable package.
Having taken the UK by storm with their fourth album Puzzle, you would be forgiven for expecting the Biff to go mainstream and placate the American market. Not so, with the incest jibes of Born on A Horse, the jagged riffery of That Golden Rule and the pirate laden sea shanty The Captain. A real triumph.
Frank’s third record is a significant achievement, proving that he is a one-man band in name alone. Pianist Matt Nasir adds a noticeable roundedness to this record, whilst the folksy melodies of tracks such as The Fastest Way Back Home and Sunday Nights are real growers.
Maybe it was because I wasn’t clued up enough to fully appreciate their previous LP, 2005’s Some Cities, but this album blew me away. Doves’ unique sound is finely honed on Kingdom of Rust and it is a complete travesty that they did not follow in the footsteps of Elbow and finally achieve the mainstream recognition they deserve after this barnstorming album.
It’s amazing what a new drummer can do for a band. Steve Forrest’s arrival breathed new life into Placebo this year, who are back to their best – sounding as vibrant and edgy as ever, albeit with a subtle emotional twist.
The northern lads have taken a bold step on their third record; one which may yet see them earn real recognition as a sophisticated rock group, not just a bunch of oiks who use Yorkshire slang in their lyrics.
I suppose the only thing predictable about Muse is that they will always continue to get more absurd and flamboyant as their career goes on. The impact of their style may have faded somewhat, but that doesn’t stop this from being the most ambitious album of the year, if not the most subtle.
This Brighton four-piece started out life as the side projected for the disaffected members of Electric Soft Parade and British Sea Power. On their third record, they have well and truly eclipsed both of their former bands to create a folksy record of indie-pop gems.
9.) Cougar – Patriot
Inventive, inspiring, instrumental joy from deepest, darkest Wisconsin. It only takes a few listens to see why Cougar are the logical inheritors of Explosions In The Sky‘s post rock crown.
Unashamedly erratic folk-punk from the Florida quartet who supported Frank Turner on his American tour. The least understated record of the year, riven with religious angst and gutteral singalongs.
13.) Baddies – Do The Job
17.) Brand New – Daisy
18.) Thrice – Beggars
As always, I’d love to hear any recommendations of decent albums that I’ve missed off the list. This is by no means definitive and I’m always keen to hear about great new albums.