Bloc Party – The Nextwave Sessions ep (review)

Bloc Party Nextwave Sessions ep cover artFollowing on from the announcement that they are due to go on an indefinite hiatus at the end of the summer, Bloc Party have given their fans one last treat before their (hopefully temporary) break-up.

‘The Nextwave Sessions EP’ shows the kind of inventiveness and experimentation that you might expect from a band with nothing to lose and nothing to prove.

‘Ratchet’ kicks things off with Kele Okereke spitting lyrics with his usual blend of urban slang and punk attitude, but with a noticeably hip-hop cadence as he references Kanye West in the second verse.

All four band members get a chance to show off their skills on this fantastically flamboyant track, but it’s Gordon Moakes’ earthy bassline that will really make this an indie club floor-filler.

‘Obscene’ brings things back down to earth, with Kele openly confessing his past wrongs to a former lover as the throbbing synth and lilting vocals hark back to 2008’s ‘Intimacy’.

To read the rest of this review on Virgin Red Room, click here.

Editors – The Weight Of Your Love (album review)

Editors The Weight Of Your Love album art

After a near four-year absence, Editors are back with their fourth studio album ‘The Weight Of Your Love’.

And whilst many will label this album as a return to their original guitar-based style, there is plenty of evidence that the band has evolved and matured during their break.

For starters, founding member and lead guitarist/synth player Chris Urbanowicz has left, and his searing tremolo is notably absent.

In his place, Justin Lockey takes on lead guitar responsibilities, while Elliott Williams provides keyboards, backing vocals and additional guitars.

Despite all these changes, Tom Smith’s vocals still sound as rich and powerful as ever, albeit with far less falsetto than on 2009’s synth-led ‘In This Light And On This Evening’.

A more straightforward song-writing style is immediately noticeable, which Tom credits to the influence of bands such as REM and Arcade Fire.

‘The Weight’ kicks things off with a brooding stomp that bursts into life with orchestral flair, recalling Elbow‘s recent rich and densely layered arrangements.

The lyrics are as bleak and honest as ever, with Tom imagining how he would cope if he outlived his long-time partner Edith Bowman and suggesting that love can be overwhelming and almost intimidating at times.

‘Sugar’ bristles and buzzes with a Kings Of Leon-esque bassline before lead single ‘A Ton Of Love’ raises the bar yet further with a punchy riff and an instant classic of a chorus…

To read the rest of this review on Virgin Red Room, click here.