Bloc Party – The Nextwave Sessions ep (review)

Bloc Party Nextwave Sessions ep cover artFollowing on from the announcement that they are due to go on an indefinite hiatus at the end of the summer, Bloc Party have given their fans one last treat before their (hopefully temporary) break-up.

‘The Nextwave Sessions EP’ shows the kind of inventiveness and experimentation that you might expect from a band with nothing to lose and nothing to prove.

‘Ratchet’ kicks things off with Kele Okereke spitting lyrics with his usual blend of urban slang and punk attitude, but with a noticeably hip-hop cadence as he references Kanye West in the second verse.

All four band members get a chance to show off their skills on this fantastically flamboyant track, but it’s Gordon Moakes’ earthy bassline that will really make this an indie club floor-filler.

‘Obscene’ brings things back down to earth, with Kele openly confessing his past wrongs to a former lover as the throbbing synth and lilting vocals hark back to 2008’s ‘Intimacy’.

To read the rest of this review on Virgin Red Room, click here.

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Top 20 albums of the year 2012

It’s been a hit and miss year for rock music, with just a handful of high-profile releases, but plenty of surprise packages. In keeping with tradition, here’s my Top 20 rundown. Click on the links to take a listen on Grooveshark or Spotify.

1.) Dry The River – Shallow Bed

There were a few difficult decisions in the Top 20, but picking a top album was not one of them. Dry The River’s highly engrossing blend of folk and emo is nigh-on irresistible and sets the standard for their contemporaries to aim for.

2.) Bloc Party – Four

A triumphant return to form from Kele and his cohorts who remembered just how effective distorted guitars and thunderous riffs can be.

3.) Muse – The 2nd Law

Taking the ‘kitchen sink’ approach to songwriting, Muse threw everything at this third album and the result is a thoroughly adventurous record which improves with every listen.

4.) Jim Lockey And The Solemn Sun – Death

The record I’ve been waiting four years for Jim Lockey to record – Death throbs with powerful tunes, and excellent production values underpin this meaty new sound.

5.) Sonic Boom Six – Sonic Boom Six

Running Muse close to the wire as Britain’s most inventive band, SB6 went for an electro approach on their self-titled fourth album, resulting in some hard-hitting tunes and a bit of a classic ska-punk thrown in for good measure.

6.) Mumford and Sons – Babel

More of the same from folk-rock’s darlings – they may have cracked America with Babel, but will need to display more invention next time around.

7.) Gaslight Anthem – Handwritten

Five months ago I called this a strong contender for album of the year, and whilst it has faded in appeal after a few dozen listens, Handwritten remains a solid album full of big riffs and bigger choruses.

8.) Baddies – Build

First Danananaykroyd then these guys – for the second year running, I tip a band for big things, then they split up. Nonetheless, Build will stand as a fitting swansong for this dynamic quartet.

9.) Maximo Park – The National Health

Going back to their roots, a return to forum, call it what you like, this album is Maximo Park playing to their strengths and hitting heights not seen since their 2005 debut.

10.) Maps & Atlases – Beware & Be Grateful

Perhaps the most confusing album in my Top Ten – Maps & Atlases manage to blend together math rock and 80s pop into a delightful combination of charm and sheer technical brilliance.

11.) The Futureheads – Rant

12.) The Cribs – In The Belly Of The Brazen Bull

13.) Frank Turner – The Second Three Years

14.) Get Cape. Wear Cape. Fly – Maps

15.) Pulled Apart By Horses – Tough Love

16.) The Beach Boys – That’s Why God Made The Radio

17.) The Killers – Battle Born

18.) Air – Le Voyage Dans La Lune

19.) Green Day – Uno!

20.) Tenacious D – Rize Of The Fenix

So, what can we expect from 2013? Well the year will surely get off to a great start with Biffy Clyro due to unveil their double album, Queens Of The Stone Age will return with Dave Grohl on drums, and Lostprophets will… oh, wait.

Until then, I leave you with my favourite video of the past 12 months, enjoy:

Bloc Party – Four (Album Review)

Bloc Party Four new albumBack in June, Kele Okereke admitted that “there was a big question mark over whether Bloc Party were ever going to make a record again”. Well two months later and it’s a good thing that they stuck at it, because ‘Four’ is their most consistently brilliant album since ‘Silent Alarm’.

Produced by Alex Newport (At The Drive-In, Mars Volta), this is an unashamedly heavyweight rock album that proves once and for all that guitar music still has a place in the British indie scene.

Bloc Party’s last effort ‘Intimacy’ and Okereke’s subsequent solo-project ‘The Boxer’ seemed to suggest that they believed otherwise. But right from the crunching riffs of ‘So He Begins To Lie’, to the grandstand Queens of the Stone Age-inspired closer ‘We Are Not Good People’, this record throbs with confidence in the decision to go back to their roots and become a guitar-based band once again.

Musically, ‘Four’ feels like the bravest album released so far this year, with plenty of gambles that almost all come off. ‘3X3’ is a dark, twisted song of seduction, which has the urgency of Yourcodenameis:Milo in their pomp, while ‘Octopus’ is the perfect lead-off single for this album, highly unusual with its falsetto verses, but undeniably catchy and with a Daft Punk-esque guitar solo that ties it all together.

Fans of early Bloc Party won’t be disappointed either…

To read the rest of this review on Virgin Red Room, click here.