No-one could accuse Sonic Boom Six of standing still or resting on their laurels. Each album they’ve put out has seen a clear progression, subsuming more and more genres into their all-encompassing sound.
Their latest, self-titled album takes in many influences, from The Clash to Pendulum via Mad Capsule Markets, but the most noticeable change is the influx of hardcore electronica and warped drum and bass samples. Every track throbs with heavily synthesised guitars and drums, and the vocoder-treated choruses make singer Laila Khan‘s voice sound detached and more than a little bit J-pop. It’s a change of direction that takes a fair bit of getting used to. Anyone who discovered SB6 via the UK ska-punk scene of Capdown and The King Bluesmight well recoil at this, and the band have freely admitted that they are going for a sound that is more “inclusive and inviting to everyday people”.
Lead-off single ‘Virus’ sets the tone as the album’s touchstone and this style is carried through onto the breathless rush of ‘Karma Is A Bitch’, which packs some serious boss-fight riffs. Meanwhile ‘The High Cost Of Living’ manages the impressive feat of blending pulsing beats, metal guitars, reggae percussion and a baroque piano sample, into one cohesive song.
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The way the Guardian and the Daily Telegraph have been carrying on this week, anyone would think that British rock music is about ready to pack up and go home.
While the lack of any serious Brit award nominations does reflect a shortage of successful mainstream guitar-based music in 2010, the fact that only three so-called rock songs made the top 10 of the singles chart last year is hardly a major cause for concern. If you’re looking for emerging talent in 2011, it doesn’t take long to scratch below the surface and find some hidden gems.
This Oxford-based quartet made waves on the alt-rock scene with their 2008 debut Animals, and are set to follow that up with another, as yet untitled, record in late summer. TTNG mix mesmeric rhythms with mind-bending guitar licks to create a sound that no-one can rival.
If you’re looking for proof that ska’s not dead, Laila Khan and co made be just the answer. This irrepressible group have been honing their sound since 2002, and with a support slot on King Blues‘ nationwide tour coming up, they could be about to take off.
Bit of a cheat here, since Jil Bensénior is a French artist, but his Mid-Atlantic style folk tunes are definitly worth a mention. Signed to EMI, his self-titled debut album is due to reach these shores in February, after a highly successful French release. Think Conor Oberst meets Sam Duckworth and you’re not far off.
The effervescent new incarnation of ThisGIRL are due to finally release their debut ep this year, following up from their hugely promising first single Oh Brother! Oh Sister! Lead singer Liam Creamer’s acrobatic vocals and Mick Jagger swagger make for an unmissable live show as well.
Better known to many as Frank Turner‘s backing band, the Oxford quartet started life while the folk-rock troubadour was still in his previous band Million Dead. Their third album, Potential, is out tomorrow, and it has already garnered much praise from Kerrang (4Ks) and Rock Sound (9/10). Jamie Stuart’s vocals sound as sharp as ever on lead single Liar, see below for a whole host of alt-rock cameos: