65daysofstatic review for Songkick.com

65daysofstatic liveI’ve been a fan of Songkick for a few years now and now it seems this online music diary is now branching out into band reviews.

The latest Songkick competition invites music fans to review their favourite live band in no less than 200 words. If you submit your review before 31 July, you could win $500 of festival vouchers.

Still buzzing from the fantastic eighth edition of 2000 Trees, I thought I’d throw my hat in the ring, so here’s my review of the 65daysofstatic live experience:

“For many a rock fan 65daysofstatic have been the gateway drug to instrumental music and their live show plays a big part in that. Whether they are mid-way through a festival line-up, headlining their own show, or a humble support act (as they have been for Hundred Reasons and The Cure), they always create a memorable atmosphere.

The crowd is always hugely involved and it’s well worth getting down towards the front to experience the full force of noise when the bassline kicks in.

Their music is by turns ethereal and rave-inducing, with their 2010 album ‘We Were Exploding Anyway‘ acting as the touchstone of their career. ‘Go Complex’ is a particular live favourite with a dramatic shift in dynamics from the electronic intro to the hard rock outro.

But it is the more drawn out slow-building tracks that leave the most enduring impression, and the full ten-minute version of ‘Tiger Girl’ is an experience worthy of gracing any festival mainstage.

Their most recent full-length release ‘Wild Light’ has more of a cinematic feel to it, and the light show the band brought on their latest tour was stunning and tightly synchronised (although a little oppressive at times).

As an instrumental band, 65daysofstatic don’t have a traditional frontman, but the guitarists do talk to the crowd between songs and bass player Simon Wright acts as the rabble-rouser in chief, ensuring that the crowd always feels connected to the band despite the lack of vocals.

See them now while their tickets are still cheap – they will change the way you think about instrumental music.”