Frank Turner singing liveIt takes a pretty prolific songwriter to turn out four albums in six years and still have enough left in the tank to record two twenty-track compilations. But not only has Frank Turner managed this, he has done so with style and aplomb, especially on this, his second collection of live tracks, b-sides, covers and rarities.

‘The Second Three Years’ crams together the non-album tracks from his 2010 ‘Rock n Roll’ EP, the special edition bonus tracks from last year’s ‘England Keep My Bones’ LP, as well as a broad selection of punk, folk and pop covers; from Wham to Nirvana, and from NOFX to Take That.

This compilation is an essential purchase for any serious Frank fan, but it also works suitably well as a far-reaching introduction to one of England’s greatest songwriting talents. Right from the opening acapella verse of ‘Sailor’s Boots’, Turner’s voice is enthralling; by turns gentle and powerful, intimate and abrasive.

There’s also plenty of evidence of how his music has developed and matured…

To read the rest of this review on Virgin Red Room, click here.

Live at The Bowery, New Oxford Street, London (18/11/2010)

It’s not often that you go to a gig and come out raving about all three bands on the bill. But it seems like many people will have come away from the Bowery on Thursday night with a sense that they had discovered at least one excellent new band.

Lonely The Brave began the night in epic sweeping fashion, with reverb vocals and resounding riffs aplenty. Their Pearl Jam-meets-30 Seconds to Mars stylings definitely deserve a bigger venue.

Sam Nicholls: Scholar

Scholars were a different proposition altogether, with front man Sam Nicholls launching himself into a frankly petrified crowd and screaming every word as if his life depended on it. Once the audience had got over the initial shock, the charm of Scholars’ energetic pop-punk took hold, with a fair share of heads bobbing and toes tapping by the end of the half hour set.

Heading the bill were Kick Up The Fire, who were celebrating the launch of their self-titled mini-album. Lead singer Kenny Wastell cut an apologetic figure, and made it clear that the audience shouldn’t expect similar levels of lunacy to their predecessors.

Kick Up The Fire are one of those bands that worm their way into your head, they may not sound jaw-dropping at first, but after a couple of listens their alt-rock tunes really sink their teeth in and refuse to let go. It’s easy to see why Rock Sound said that their mini-album is “a record for which the repeat button seems custom-designed”.

Kick Up The Fire: Springsteen Fans

Covering every contemporary hot potato from lecherous politicians (No Hotel Room) to hypocritical religions (The Never-Ever Ending Story) in half an hour left the audience baying for more and KUTF duly obliged. The decision to repeat the two-minute anti-corporate sing-along No Fun In London instead of trying something more risky was ill-judged, however, and took some of the gloss off an otherwise flawless performance. There’s nothing wrong with leaving an audience wanting more, especially if you’ve yet to write a mediocre song.

Wastell confessed that he is currently a “fresher granddad” at age 29, but this can clearly be used to their advantage, as the fresh-faced girls in the front-row (presumably actual freshers) seemed like a pre-made street team. If they can fulfil their potential on a full-length album, there seems no reason why Kick Up The Fire can’t take 2011 by storm.

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