A musician's hand on a piano

“What happens when you lose everything? You just start again, you start all over again.”

In 1985, British conductor and musician Clive Wearing lost his memory. Instead of blanking out his childhood or erasing a few years, this incredibly severe case of amnesia (one of the worst on record) wiped out all but his short-term memory of the last ten seconds of his life. Yet he could still remember how to play the piano and even conduct an orchestra.

The BBC picked up on this story the other week and I thought it was worth sharing here as it shows how deeply engrained the music we play and listen to can be. It not only colours our memories; it sinks deeper into our subconscious and becomes an integral part of who we are.

Dr Clare Ramsden, a neuro-psychologist with Britain’s Brain Injuries Rehabilitation Trust, said: “It isn’t just knowledge. It’s something you do.”

Musical memory is distinct from other types of memory and different aspects of playing music involve different parts of the brain, she added.

On a more prosaic level, this can mean humming a tune without even realising it (damn you, Go Compare jingle!)  or having an abnormally detailed memory of gigs and festivals. Part of this obviously comes from repetition, hearing the same handful of songs on a weekly or even daily basis, to the extent that you can remember vast swathes of lyrics.

For example, I spent three years studying English Literature at Durham and yet I can easily recite far  more song lyrics than I can lines of poetry. Indeed, this is partly why I feel so sad when people tell me they just “don’t get music” or aren’t “that bothered” by it, as they are clearly missing out on so much.

But going back to Clive’s story, it’s clear that music can make deep last connections between people that are hard to break. As his wife Deborah puts it: “Music is a place where we can be together normally because while the music’s going he’s totally himself. He’s totally normal.”

To read  more about Clive’s remarkable story, you can buy a copy of his wife’s book Forever Today on Amazon or visit his Wikipedia page.

rapper, vinyl

This guy will not be allowed to record

Hipsters of London, rejoice! All your trendiest fantasies have come true – you can now feature on the world’s most exclusive run of vinyl.

Never Records are spending a month on the Southbank as part of Merge Festival to offer a unique opportunity to up-and-coming artists.

All you have to do is e-mail the label and explain why you’re so amazingly en-vogue and they will let you record one of your songs and press it into a timeless vinyl disc.

What’s more, the cutting will be limited to just two, one for you and one for the store to sell, so the scene points to be won from this are pretty much infinite.

In all seriousness, this seems like a really cool idea and a great way to preserve a song for posterity’s sake. The New York Times described this project as “a love letter to the dying concept of the record store” and I’m inclined to agree with them.

Admittedly I was a little slow in blogging about this project (it started two weeks ago!), but there’s still time to get involved, as the project runs five days a week until October 9th. Even if you don’t want to record, it’s still worth a look to browse through some unique vinyl records, all of which will be on sale to the public.

Given that I have now dedicated this blog entirely to music, it may not surprise you to learn that I am quite the music fan. Scratch that, I am a music obsessive. I have a CD collection over 200 discs strong (carefully alphabetised, natch), I own more band t-shirts than any other type of clothing, and I have been to more gigs than any sane person should be able to remember – only I can, because I have a creepy OCD document for that.

Muse at Reading Festival 2011

Muse at Reading 2011 - Rock yeah!

So if you are like me, or even a little bit like me, you will like love Setlist fm. Maybe you’re already familiar with it?

This site chronicles every gig played by every band ever. Or at least every gig that someone has uploaded a setlist for, and that’s quite a few.

Great aspects of this site include the stats (oh, the stats!) and the geeky annotations (did you know that Muse’s headline set at Reading included a Sweet Child of Mine outro for Hysteria?!).

What’s more, I was particularly interested to find out the other day that you can track particular bands that you are super-obsessed with. So now, I will get e-mail alerts everytime someone uploads a new Frank Turner setlist.

However, whilst perusing the BBC’s excellent footage of Reading and Leeds, I stumbled across what appeared to be a competitor. You see, the BBC’s festival setlists are ‘powered by Songkick‘.

This site offers something that Setlist fm does not: a personalised feed of all the local shows being played over the coming months by bands you like. Almost immediately, my girlfriend warned me that this was the perfect way for me to spend all of my monies, and more, on gig tickets, and indeed using this site requires a bit of willpower to resist going on a spending spree.

You can also sync up Songkick with your iTunes library, Last.fm or Pandora account and it will import all your favourite bands, then show you when and where they are playing next – and how much it will set you back. This is powerful stuff, kids!

setlistfm/songkick logosOther big plus points include the ability to share which gigs you’re going to, or even just thinking of going to, in one click. I did this on Facebook and immediately found out one of my friends happened to be going to the same gig as me later this month.

Also, there’s an iPhone app, if that’s your thing, and you can track individual venues as well as bands, although I’m not entirely sure why you’d want to…

To answer the question at the top of this post, the answer is: use both. The actual setlist aspect of Songkick seems more like an afterthought as they aren’t that easy to reference quickly, so Setlist fm will continue to take priority there.

Setlist fm is great for looking back over the gigs you’ve been to and Songkick is exciting and inspiring for finding out about gigs that are coming up. I wholeheartedly recommend signing up to them both.

This weekend saw quite a significant first in ticket sales for live music in the UK as the Red Hot Chili Peppers introduced ID restrictions for their November tour.

Red Hot Chili Peppers - The Adventures of Raindance Maggie artwork

Put simply, all fans buying tickets to the shows will have to bring the card they used to purchase the tickets with when they enter the venue and everyone who they bought tickets for will have to enter the venue with them at the same time.

This has one obvious advantage of effectively ruling out touting, which is something to be applauded, especially as it is not in the immediate interests of the promoters Kilimanjaro Live (a subsidiary of AEG).

However, as Dave Ball rather brilliantly explains in this extensive article, the potential downsides for fans are much more numerous.

One of the highly likely scenarios that could befall ticket holders is when one member of your group is delayed and you face the dilemma: go in without them and leave them in the cold, or wait and risk missing part of the set.

Despite the several drawbacks, the Chilis tickets have sold out in a matter of days, so it seems that fans have not been deterred. I very much doubt that this system will catch on, however.

A much simpler solution that I could suggest would be to have each individual’s name printed on each ticket (like they do for Glastonbury), so that people could arrive separately, but they would still need ID in order to gain entry, thus thwarting the touts.

There are still plenty of obvious drawbacks to this system, but the fact that Kilimanjaro Live and the Chilis have taken this first step, is very encouraging indeed.

Red Hot Chili Peppers will be touring the UK in November (see below for dates) in support of their new album I’m With You (due out August 30th), which will feature the single The Adventures of Raindance Maggie – Listen now.

Mon November 7th 2011 – The O2, London
Wed November 9th 2011 – The O2, London
Thu November 10th 2011 – The O2, London
Sat November 12th 2011 – SECC, Glasgow
Mon November 14th 2011 – Manchester Evening News Arena
Tue November 15th 2011 – Manchester Evening News Arena
Thu November 17th 2011 – Motorpoint Arena Sheffield
Sat November 19th 2011 – Birmingham NEC
Sun November 20th 2011 – Birmingham NEC


What two things do Arctic Monkeys, Kasabian, Foo Fighters, Coldplay and My Chemical Romance all have in common?

Time’s up. The answer is, they are all headlining major UK music festivals this summer and they are all due to play the ridiculously star-studded iTunes Festival next month.

itunes festival 2011 logo

While the iTunes fest has hardly ever been a humble affair (Amy Winehouse and Paul McCartney played in its inaugural year), this year’s line-up is a who’s who of the most popular bands touring in 2011.

Adele, Paul Simon, Linkin Park – it’s like an arms race to outdo all the other festivals and, most ridiculously of all, the whole thing is free.

Not one fan will pay not one penny to see all 62 bands playing for a whole month.

It would be beyond churlish of me to suggest that this is a bad thing, although with the heightened profile of the festival (ITV2 coverage every week etc. etc.), and only 4,000 tickets available each night, it will surely become more and more unlikely to actually win any tickets.

At first, it was clear to see what was in it for Apple. They get their name out there in a massive way, they associate their brand with the biggest and best bands, and each punter is given a lanyard enticing them to download iTunes in exchange for 10 free tracks. But how much longer can they justify laying on such a lavish festival?

Is this year’s line-up a final hurrah? Or will they be back next year with Prince, U2, David Bowie and the Beatles (wouldn’t bet against it!)? Fair play to them for finding space for a few more obscure acts, like Raphael Saadiq, Lang Lang and Swedish House Mafia, but one thing’s for sure – festival organisers up and down the land will be grinding their teeth with envy at this year’s stellar line-up:

July 1st – Paul Simon

July 2nd - Seasick Steve

July 3rd - Manic Street Preachers + Dry the River

July 4th - Linkin Park + Neon Trees

July 5th - Beady Eye

July 6th - Arctic Monkeys + Miles Kane

July 7th - Adele

July 8th - Bruno Mars + Ed Sheeran

July 9th - My Chemical Romance

July 10th - Glasvegas

July 11th - Foo Fighters + Jimmy Eat World

July 12th - The Script + Loick Essien

July 13th - White Lies + The Naked and Famous + Alice Gold

July 15th - Friendly Fires + SBTRKT

July 16th - Jessie J

July 17th – Duran Duran + Ben L’Oncle Soul

July 18th - Raphael Saadiq

July 19th - Rumer + Caitlin Rose

July 20th - Katy B + Jamie Woon

July 21st - The Wanted

July 22nd - Swedish House Mafia

July 23rd - Coldplay

July 24th - Mogwai + Errors

July 25th - Noah & The Whale + Fixers

July 26th - Lang Lang + 2CELLOS

July 27th - Magnetic Man + Alex Clare

July 28th - Chase & Status + Nero

July 29th - Kasabian

July 30th - James Morrison

July 31st - Moby

To throw your hat in the ring for any of these gigs, just head over to the iTunes Festival website. I’ve entered for the past two years and each time I’ve won at least one pair of tickets. Not sure I fancy my chances this year though…

emergency exit signLike many people who crowd London’s parks, I’m a runner. I also like music quite a lot. So jog.fm is a great site for mixing the two.

Using the very simple idea of matching your running speed to a track’s bpm, it allows you to build up playlists that suit your average pace.

Scientists have actually proven that running to music makes you go faster and for longer, but running to music that is too fast-paced can cause injuries or strains.

Jog.fm seems to fill quite a useful gap in the market and if they could only expand their collection of tracks beyond the slightly limited range on there at the moment, it could become massively popular.

For the record, I find that Dance, Dance, Dance by 65daysofstatic and Race To The Heart Of The Sun by The Automatic are particularly good running songs for running an eight-minute mile.

free representation unit legal charityOn a related note, I am running the Bupa London 10k tomorrow on behalf of the Free Representation Unit. This legal charity provides representation for Brits who cannot afford it otherwise, including workers who have lost their jobs and are not entitled to legal aid. The vast majority of their staff are volunteers, yet they handle over 1,000 cases per year.

Please visit my Just Giving page and donate a few pounds, and you can be sure they will be put to good use.

I think its fair to say that the Spotify honeymoon is well and truly over. When the online jukebox burst onto the scene in late 2008 it was greeted with fevered excitement, but the proliferation of annoying adverts and the recent clampdown on free users signals the end of the party and the start of a long and tough road towards making this large business profitable.

So what now if you’re not willing to shell out at least £5 a month for ad-free music? Well, since you asked – I’ve recently been introduced to an exciting music service called Grooveshark and on the surface it seems to be a serious rival for Spotify.

grooveshark, spotify rival, music player

Lets start with the pros. There are no audio ads, just banners, which is something I find remarkable. As a result the listening experience is completely seamless. Secondly, it’s browser-based, so there’s no need to download any software or get an invite.

Of course there are a few drawbacks to consider. The selection of songs isn’t as comprehensive as Spotify, with only three 30 Seconds to Mars tracks on there for example, as they are uploaded by users. This approach has led to questions over the service’s legality, although they deny any copyright infringements and claim to have agreements in place with music labels.

Secondly, sometimes there is a small lag at the beginning of each song as they have to be buffered one by one. Finally, I have spotted one track that sounds like it’s been recorded off a radio station, only because there is a few seconds of a DJ talking at the end. Otherwise, the quality is superb, though.

On balance, it’s a hugely appealing service, especially considering that some major artists, such as Metallica, are on Grooveshark and not Spotify. You can also listen to genre-specific channels, which is great if you want to stumble across new acts.

Best of all, Grooveshark aren’t pushing the financial side of things particularly hard, with seemingly no limits on the free streaming service. Becoming a paying member ($6 per month) gets you the ability to remove banner ads and upload your own music, and they are also offering a 30-day bundle in conjunction with Lovefilm and Dominos Pizza for £12.50.

Grooveshark will surely look to sink its teeth into users once they’re hooked (pun intended), but for now it represents a great alternative to Spotify for discovering new music for free without any irritating interruptions.

a ballot paperTomorrow sees a momentous occasion in British politics. It will be only the second time in the history of this country that the public will be asked to give their opinion in the form of a referendum, yet not many people seem at all excited about it.

Before I lay out my case for AV, it’s worth considering why the turnout is likely to be so low.

Particularly in my region, London, where there are no local elections to get people out to the polling stations, the turnout is predicted to be pifflingly low. We’re talking 15 per cent compared with 35 per cent in the provinces.

Despite weeks of explaining the pros and cons of both systems and some heavy-handed political mud-slinging, people just aren’t that interested. I believe this is down to a key disenfranchisement at the state of our electoral system, something that AV could fix.

Under First Past The Post, its easy to feel like your vote doesn’t count and be forced into a tactical voting compromise. Growing up in a Tory heartland, I felt there was little I could do to change things, especially with the centre left vote being split between Labour and the Lib Dems.

Simply put, under AV, you can have your say on a sliding scale, i.e. ‘I want the Lib Dems to get in, but if not them, then Labour and whatever we get, don’t let the Tories in again.’

Or, to put another way, the general collective consensus is more powerful than a concentrated group of people why think exactly the same way, as in the beer vs coffee metaphor put forward by the Yes to AV campaign:

the av system explained as beer vs coffee

The suggestion that this system is too complicated for the public to understand is one of the most self-damaging arguments that the No to AV campaign has put forward so far. For starters, it insults the intelligence of the population and moreover it conveniently skates over the fact that the AV system is already used and readily understood in many mayoral elections, such as the one that saw Boris Johnson elected in London in 2008.

The second myth that urgently needs debunking before we go to the polls is that of price. AV will not cost us £250 million. That’s just a bare-faced lie and Chris Huhne and Nick Clegg have both had the guts to say so in so many words. Electronic voting machines are not an essential or even necessary part of switching to AV and public education about the new system needn’t cost that much for the reasons outlined above.

Finally, I really don’t buy the idea that we shouldn’t switch to AV because only three other countries in the world have it. When we abolished slavery we were one of the first countries in the world to do that, so sticking with what we’ve always had and what few others are doing isn’t always a bad thing.

Whatever your political beliefs and thoughts about AV or FPTP, please go and make your voice heard at the polling station tomorrow.

It’s our first chance to directly influence a major policy decision in nearly 40 years and may be our last for another 40. Please don’t let it pass you by.

Biffy Clyro on the Main Stage, Reading Festival 2010Exactly one month after being embarrassed by a line-up leak, Reading Festival has launched a deposit scheme to help shift the last of its day and weekend tickets. 

The way the system works is you can reserve your ticket now for a £7 booking fee, with only 25 per cent of the ticket price paid up-front. The remaining balance is then paid in three equal instalments over the next three months.

Some may say they’re just copying Glastonbury, but the key difference is that most of the line-up has been revealed before you commit to pay and the monthly chunks of £48.12 are much more affordable than the £150 lump sum Glastonbury asked for earlier this month.

Also, Reading has a much younger target audience, so it makes sense to offer a staggered way to pay. With the price of festivals going up across the board and punters budgets being stretched tight, this could be the way forward for many UK music fests.

This year’s Reading and Leeds Festivals, just in case you haven’t already heard, will be headlined by My Chemical Romance, The Stokes, Pulp and Muse.

Reading Festival 2011 line-up

Erm... whoops!

Reading Festival organisers and Zane Lowe have egg well and truly on their faces today after an unnamed Kerrang! insider leaked the full line-up yesterday lunchtime, more than five hours before it was due to be announced.

As a result, this year is the first time in at least four years that Reading weekend tickets have not sold out in a matter of hours. I checked 23 hours later and Seetickets was still selling them.

The line-up itself was the subject of a fierce Twitter backlash, with many voicing their disapproval. But in all honesty it’s the same every year. Those with the most vociferously negative opinions will always be heard the loudest in the social media echo chamber. Although that said, the Official Reading Facebook page’s attempt to delete spoiler comments was hilariously naive and just proof that they had something to hide.

Is the line-up worse than in previous years? That’s hard to judge objectively, true there’s less metal, but that trend has been ongoing since 2008. The Strokes and My Chemical Romance are both massive bands, whether you like them or not and Muse’s only festival appearance this year is sure to be something rather special.

Zane lowe bbc radio one dj

Zane ain't happy...

The main difference this year is that the power appears to have been at least partially taken out of the organisers’ hands. Zane Lowe in particular was left looking more than a little bit foolish last night after his grandstanding annual line-up announcement live on BBC Radio One was well and truly gazumped by the power of the internet. As he struggled to maintain his trademark Kiwi cool, he let slip “this was meant to be a celebration and now I’m trending with hate.”

Maybe fans are a bit sick of being treated like unquestioning saps by the organisers, who are pushing towards getting the tickets on sale before anyone knows for sure who’s playing.

They may argue that they’re following Glastonbury’s lead, so they are justified. But this is only partially true, as the Pilton farm mega-fest only asks for a £50 deposit in good faith and they then only demand the rest once the first 20 or so bands are announced.

At the end of the day, I can’t help wondering whether this whole embarrassing debacle will maybe make Festival Republic think twice about their approach to announcing the line-up and selling tickets next year…

In the meantime for those of you that are going and are excited (like me), I humbly present my Reading Festival 2011 Spotify playlist and Neat Little Rows from the splendiferously magnificent new Elbow album:

 

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